Read PDF Spreading the American Dream: American Economic and Cultural Expansion, 1890-1945 (American Century)

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Studies the development of the American economy and society as well as the influence of this development on foreign relations and the spreading of the American culture.

American economic and cultural expansion, 1890-1945

Emily Rosenberg is professor of history at Macalester College in St. Paul, Minnesota, and, with her husband, Norman L. Convert currency. Add to Basket. Compare all 2 new copies. Condition: New. Never used!. Seller Inventory P More information about this seller Contact this seller. Seller Inventory NEW Emily S.

The vehicle exhibit lacked steam-, electric-, or petroleum-driven carriages, but future trends were evident all the same. American carriages were lighter and cheaper than European models. Unlike their competitors, they were, in the words of one commentator, made by "modern machinery and the systematic methods of large manufactories.

Machinery Hall also emphasized technological wizardry.


There, the White City's massive power plant, run by Westinghouse's huge engine-dynamo units, generated electrical power in quantities never before produced. Oil, rather than coal, was used for fuel, and Standard Oil built a forty-mile experimental pipeline that carried the fuel into the fair.

Fifteen electric motors distributed the electricity throughout the fairgrounds, clearly demonstrating advanced techniques of power transmission. Half this power flowed to the most amazing exhibit of all--Westinghouse's incandescent lighting system. Illuminating the entire fairgrounds and its buildings, this system constituted the largest central power station in the United States. Not to be outdone, General Electric erected a ten-foot, 6,pound searchlight--the largest in the world--and powered the Edison Tower of Light, a seventy-eight-foot shaft glowing with thousands of colored flashing lights.

Chicago's fair awesomely demonstrated the new electrical age. At Electricity Hall, power set in motion a mechanical world that seemed as marvelous in as it would seem commonplace in Most visitors got their first look at electric trolleys, long-distance phones, and electrical heaters. Edison's new kinetograph, in conjunction with a phonograph, visually reproduced an orator's movements and then synchronized these movements with the sound of his voice.

Other machinery exhibits highlighted Americans' talent for substituting technology for labor.

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All the fair's restaurants used dishwashing machines, and there were laundry and pressing machines, soapmaking machines, steamrollers, automatic sprinklers, street cleaners, and a machine that quickly weighed and bagged several tons of ground coffee a day. American sewing-machine companies such as Singer displayed improved versions of the home sewing machine. The Daily Columbian, a special World's Fair newspaper, spun off the latest steam-powered presses at the rate of eight hundred copies a minute.

For one souvenir issue, workers placed pulp in a machine to make paper, composed the text on a linotype, printed, and distributed a finished newspaper--all in sixty-three minutes. Most startling in their diversity were the special machines for making boots and shoes. An expert operator using an improved sewing machine could sew nine hundred pairs of shoes a day; a "rivet and stud" machine inserted ninety rivets and studs per minute; a heeling machine drove three hundred nails per minute; a "burnishing and bottom-polishing and uppercleaning" machine finished the shoe for market. In all, more than a score of different processes contributed to making a single shoe.

In contrast to the fair's technological originality, its artistic styles were imitative and familiar. Ironically, exposition planners, who defined art as the statuary and painting of an elite European tradition, refused to give a place to one of America's most successful and unique "artistic" creations: Buffalo Bill's Wild West Show. But encamped outside the gates and across the street from the White City, the show attracted huge, enthusiastic crowds.

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An early yet fully developed expression of America's mass culture, Buffalo Bill's extravaganza became one of the Dream City's most popular exhibits. In Chicago, Americans flaunted the cheap mass products,the dazzling technology, and the alluring mass culture that, in the coming century, they would spread throughout the world. Reflected in partial form by some of the 3, lecturers who spoke in at the World Congress Auxiliary to the Columbian Exposition, this ideology matured during the twentieth century. Liberal-developmentalism merged nineteenth-century liberal tenets with the historical experience of America's own development, elevating the beliefs and experiences of America's unique historical time and circumstance into developmental laws thought to be applicable everywhere.

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  • The ideology of liberal-developmentalism can be broken into five major features: 1 belief that other nations could and should replicate America's own developmental experience; 2 faith in private free enterprise; 3 support for free or open access for trade and investment; 4 promotion of free flow of information and culture; and 5 growing acceptance of governmental activity to protect private enterprise and to stimulate and regulate American participation in international economi Convert currency.

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