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Das Bücher-Dekameron by Kasimir Edschmid

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Das Dekameron (Book, ) []

It is further supposed [ by whom? Boccaccio himself notes that the names he gives for these ten characters are in fact pseudonyms chosen as "appropriate to the qualities of each". The Italian names of the seven women, in the same most likely significant order as given in the text, are Pampinea, Fiammetta, Filomena, Emilia, Lauretta, Neifile, and Elissa. The men, in order, are Panfilo, Filostrato, and Dioneo. Boccaccio focused on the naturalness of sex by combining and interlacing sexual experiences with nature. Boccaccio borrowed the plots of almost all his stories just as later writers borrowed from him.

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Although he consulted only French, Italian and Latin sources, some of the tales have their origin in such far-off lands as India, Persia, Spain, and other places. Some were already centuries old. The frame narrative structure though not the characters or plot originates from the Panchatantra , which was written in Sanskrit before AD and came to Boccaccio through a chain of translations that includes Old Persian , Arabic , Hebrew , and Latin. Even the description of the central current event of the narrative, the Black Plague which Boccaccio surely witnessed , is not original, but based on the Historia gentis Langobardorum of Paul the Deacon , who lived in the 8th century.

Das Dekameron

Some scholars have suggested that some of the tales for which there is no prior source may still not have been invented by Boccaccio, but may have been circulating in the local oral tradition, with Boccaccio simply the first person known to have recorded them. Boccaccio himself says that he heard some of the tales orally. In VII, 1, for example, he claims to have heard the tale from an old woman who heard it as a child.

The fact that Boccaccio borrowed the storylines that make up most of the Decameron does not mean he mechanically reproduced them. Most of the stories take place in the 14th century and have been sufficiently updated to the author's time that a reader may not know that they had been written centuries earlier or in a foreign culture. Scholars have even been able to verify the existence of less famous characters, such as the tricksters Bruno and Buffalmacco and their victim Calandrino. Still other fictional characters are based on real people, such as the Madonna Fiordaliso from tale II, 5, who is derived from a Madonna Flora who lived in the red light district of Naples.

Boccaccio often intentionally muddled historical II, 3 and geographical V, 2 facts for his narrative purposes. Within the tales of The Decameron , the principal characters are usually developed through their dialogue and actions, so that by the end of the story they seem real and their actions logical given their context. Another of Boccaccio's frequent techniques was to make already existing tales more complex. A clear example of this is in tale IX, 6, which was also used by Chaucer in his " The Reeve's Tale ", which more closely follows the original French source than does Boccaccio's version.

In the Italian version, the host's wife and the two young male visitors occupy all three beds and she also creates an explanation of the happenings of the evening. Both elements are Boccaccio's invention and make for a more complex version than either Chaucer's version or the French source a fabliau by Jean de Boves. The table below lists all attempts at a complete English translation of the book. The information on pre translations is compiled from the G. McWilliam's introduction to his own translation.

It can be generally said that Petrarch's version in Rerum senilium libri XVII, 3, included in a letter he wrote to his friend Boccaccio, was to serve as a source for all the many versions that circulated around Europe, including the translations of the very Decameron into French, Catalan — translated by Bernat Metge — and Spanish. The famous first tale I, 1 of the notorious Ser Ciappelletto was later translated into Latin by Olimpia Fulvia Morata and translated again by Voltaire. Since The Decameron was very popular among contemporaries, especially merchants, many manuscripts of it survive.

The Italian philologist Vittore Branca did a comprehensive survey of them and identified a few copied under Boccaccio's supervision; some have notes written in Boccaccio's hand. Two in particular have elaborate drawings, probably done by Boccaccio himself. Since these manuscripts were widely circulated, Branca thought that they influenced all subsequent illustrations. In Branca identified Codex Hamilton 90, in Berlin's Staatsbibliothek, as an autograph belonging to Boccaccio's latter years.

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From Wikipedia, the free encyclopedia. For other uses, see Decameron disambiguation.

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